
Barbara Heller
Barbara Heller’s career in film and television encompasses finding furnishings and props for many shows including The Americans and When They See Us; location managing films for Francis Coppola, Nancy Meyers, and Barbet Schroeder; and directing award-winning short films that have played at festivals around the world (Cannes, Berlin, Sundance). To satisfy her curiosity, she reported on why hotels fold the end of the toilet paper into a point for NPR. She graduated from Brown University with a degree in English Literature and lives with her son in New York City.

How the Series Began
I was re-reading Pride and Prejudice for the gazillionth time, savoring my favorite passages in Mrs. Gardiner’s “long, kind, satisfactory” letter to Elizabeth, when a sudden desire to have that letter in my hand came over me. To hold the very letter that Elizabeth Bennet once received - ink faded, paper yellowed - would be utterly satisfying. In truth, I wanted to possess the originals of all the letters in Pride and Prejudice. A vision of myself at a flea market, happening upon the letters, was so real that I experienced the twin electric thrills of discovery and possession. I became determined to transform reverie into reality.
It’s taken three fascinating years during which I examined hundreds of letters written in early 19th century England; dove deep into their cryptic postal marks; agonized mightily over each character’s handwriting, and met the talented scribes who could write a period hand.
I was extraordinarily lucky to find a home amongst the Austen lovers at Chronicle Books. In this special edition, each letter is tucked inside a glassine envelope bound at the appropriate place in the novel. I have now read the letters so many times I practically have them memorized; and yet, with every re-read, I still get caught up in the story, discover something new, and marvel at (and feel grateful for) the genius of Jane Austen.
